MASTERCrit, 2015-2017
MASTERCrit, 2015-2017
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MASTERCrit, 2015-2017
W014778 | $29.95 / 10% library disc.
Ed. by Jasmine Benyamin. ORO Editions, Novato, 2022.
178 pp. Well Illustrated (chiefly col.). 18 x 13 cm. In English. Paperbound.
ISBN 9781940743943
MASTERcrit was inaugurated in 2015 as a hybrid series of events that encompassed lectures, critiques and a charrette. Modeled on the traditional notion of a ''Master Class'' the workshop enlisted the best graduating students from the school as nominated by the faculty to work in an intensive pedagogic setting with a world-class practitioner. The so-called invited ''MASTERcritics'' were MOS in 2015, Andrew Zago in 2016, and Jurgen Mayer H. in 2017. In all cases, these architects were tasked with presenting a project brief to the team, which reflected a current pre-occupation in their own discursive production. Students in turn were asked to produce artifacts that manifested their responses. In addition to documentation of the workshops and resultant work, the book includes briefs and transcripts of conversations.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Architecture --
W014778 | $29.95 / 10% library disc.
Ed. by Jasmine Benyamin. ORO Editions, Novato, 2022.
178 pp. Well Illustrated (chiefly col.). 18 x 13 cm. In English. Paperbound.
ISBN 9781940743943
MASTERcrit was inaugurated in 2015 as a hybrid series of events that encompassed lectures, critiques and a charrette. Modeled on the traditional notion of a ''Master Class'' the workshop enlisted the best graduating students from the school as nominated by the faculty to work in an intensive pedagogic setting with a world-class practitioner. The so-called invited ''MASTERcritics'' were MOS in 2015, Andrew Zago in 2016, and Jurgen Mayer H. in 2017. In all cases, these architects were tasked with presenting a project brief to the team, which reflected a current pre-occupation in their own discursive production. Students in turn were asked to produce artifacts that manifested their responses. In addition to documentation of the workshops and resultant work, the book includes briefs and transcripts of conversations.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Architecture --
