Donne: Corpo e immagine tra simbolo e rivoluzione
Donne: Corpo e immagine tra simbolo e rivoluzione
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Donne: Corpo e immagine tra simbolo e rivoluzione
(Women: Body and Image between Symbol and Revolution)
W016629 | $49.95
Exhibition Catalog
Ed. by Arianna Angelelli et al. Galleria d'Arte Moderna, Rome, 2019. Published by Silvana Editoriale, Cinisello Balsamo.
264 pp. Well illustrated (chiefly col.). 24 x 18 cm. In Italian. Paperbound.
ISBN 9788836643530
A reflection on the female figure through artists who have represented and celebrated women in the various artistic currents and cultural temperatures between the late nineteenth century, throughout the twentieth century and up to the present day. About 100 works, including paintings, sculptures, graphics and photography, some of which have never been exhibited before or have not been exhibited for a long time from the Capitoline contemporary art collections document how the universal female has always been the favorite object of artistic attention, from an object to be admired, as an angel or a temptress, to a mysterious subject who wonders about her own identity up to the new image born from the protests of the sixties.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- 1900-1945 ; Post-1945 -- Painting ; Several Fine Arts Media (Western) --
(Women: Body and Image between Symbol and Revolution)
W016629 | $49.95
Exhibition Catalog
Ed. by Arianna Angelelli et al. Galleria d'Arte Moderna, Rome, 2019. Published by Silvana Editoriale, Cinisello Balsamo.
264 pp. Well illustrated (chiefly col.). 24 x 18 cm. In Italian. Paperbound.
ISBN 9788836643530
A reflection on the female figure through artists who have represented and celebrated women in the various artistic currents and cultural temperatures between the late nineteenth century, throughout the twentieth century and up to the present day. About 100 works, including paintings, sculptures, graphics and photography, some of which have never been exhibited before or have not been exhibited for a long time from the Capitoline contemporary art collections document how the universal female has always been the favorite object of artistic attention, from an object to be admired, as an angel or a temptress, to a mysterious subject who wonders about her own identity up to the new image born from the protests of the sixties.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- 1900-1945 ; Post-1945 -- Painting ; Several Fine Arts Media (Western) --
