Breaking the Mould: Sculpture by Women Since 1945
Breaking the Mould: Sculpture by Women Since 1945
Regular price
$19.95
Regular price
Sale price
$19.95
Unit price
per
Couldn't load pickup availability
Breaking the Mould: Sculpture by Women Since 1945
W021615 | $19.95 / 10% library disc.
Exhibition Catalog
Longside Gallery, Yorkshire Sculpture Park, Wakefield, 2020. Organized by Arts Council Collection, London.
116 pp. 50 col. ills. 23 x 15 cm. In English. Paperbound.
ISBN 9781853323676
This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread. Breaking the Mould is accompanied by a fully-illustrated publication produced by Hayward Gallery Publishing, featuring an essay on the subject by Natalie Rudd, Senior Curator of the Arts Council Collection, and curator of the exhibition, alongside complementary texts from artists, writers and curators exploring the practices of over forty British sculptors, presenting fresh critical thinking on the subject. The book also features a timeline, highlighting key events and developments over the last seventy years.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- Post-1945 ; Post-1970 -- Sculpture -- Women Artists --
W021615 | $19.95 / 10% library disc.
Exhibition Catalog
Longside Gallery, Yorkshire Sculpture Park, Wakefield, 2020. Organized by Arts Council Collection, London.
116 pp. 50 col. ills. 23 x 15 cm. In English. Paperbound.
ISBN 9781853323676
This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread. Breaking the Mould is accompanied by a fully-illustrated publication produced by Hayward Gallery Publishing, featuring an essay on the subject by Natalie Rudd, Senior Curator of the Arts Council Collection, and curator of the exhibition, alongside complementary texts from artists, writers and curators exploring the practices of over forty British sculptors, presenting fresh critical thinking on the subject. The book also features a timeline, highlighting key events and developments over the last seventy years.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- Post-1945 ; Post-1970 -- Sculpture -- Women Artists --
