Yes Yes Yes: Revolutionary Press in Italy, 1966-1977--From Mondo Beat to Zut
Yes Yes Yes: Revolutionary Press in Italy, 1966-1977--From Mondo Beat to Zut
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Yes Yes Yes: Revolutionary Press in Italy, 1966-1977--From Mondo Beat to Zut
W022614 | $82.50
Exhibition Catalog
Ed. by Emanuele De Donno and Amedeo Amartegani. COLLI Independent Art Gallery, Rome, 2020. Published by a+mbookstore, Milan, in association with Viaindustriae Publishing, Foligno and COLLI publishing Platform, Rome.
544 pp. Well illustrated (chiefly black and white). 25 x 18 cm. Bilingual in English and Italian. Hardcover.
ISBN 9788897753551
Densely filled with reproductions of newspapers, magazines, mimeographs, news-sheets, pamphlets, and other ephemera, this book investigates the Italian scene during the turbulent years between 1966 and 1977. These revolutionary printing activities were linked to the political, ideological, and countercultural struggle of a period of protest and occupation of public spaces as areas of freedom and social creativity for a disillusioned generation. A selection of over 600 publications are catalogued in this book, output from the subversive newsrooms of the radical artistic and libertarian movements, and “ultra-political” groups, autonomists, and other collectives seeking change.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- Post-1945 ; Post-1970 -- Graphic Design -- Decorative Arts and Design --
W022614 | $82.50
Exhibition Catalog
Ed. by Emanuele De Donno and Amedeo Amartegani. COLLI Independent Art Gallery, Rome, 2020. Published by a+mbookstore, Milan, in association with Viaindustriae Publishing, Foligno and COLLI publishing Platform, Rome.
544 pp. Well illustrated (chiefly black and white). 25 x 18 cm. Bilingual in English and Italian. Hardcover.
ISBN 9788897753551
Densely filled with reproductions of newspapers, magazines, mimeographs, news-sheets, pamphlets, and other ephemera, this book investigates the Italian scene during the turbulent years between 1966 and 1977. These revolutionary printing activities were linked to the political, ideological, and countercultural struggle of a period of protest and occupation of public spaces as areas of freedom and social creativity for a disillusioned generation. A selection of over 600 publications are catalogued in this book, output from the subversive newsrooms of the radical artistic and libertarian movements, and “ultra-political” groups, autonomists, and other collectives seeking change.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- Post-1945 ; Post-1970 -- Graphic Design -- Decorative Arts and Design --
