Michael Borremans and Mark Manders: Double Silence
Michael Borremans and Mark Manders: Double Silence
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Michael Borremans and Mark Manders: Double Silence
W029681 | $85.00
Exhibition Catalog
21st Century Museum of Contemporary Art, Kanazawa, 2020. Published, 2021.
164 pp. Well illustrated (chiefly col.). 27 x 21 cm. Bilingual in English and Japanese. Paperbound.
ISBN 9784903205878
Swiss binding. Publisher's description: Published in conjunction with a combined exhibition of work by Michael Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
Subject Headings: Eastern and Western European Art ; Western Art -- Belgium ; Netherlands -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Painting ; Sculpture --
Artist(s): Borremans, Michael; Manders, Mark
W029681 | $85.00
Exhibition Catalog
21st Century Museum of Contemporary Art, Kanazawa, 2020. Published, 2021.
164 pp. Well illustrated (chiefly col.). 27 x 21 cm. Bilingual in English and Japanese. Paperbound.
ISBN 9784903205878
Swiss binding. Publisher's description: Published in conjunction with a combined exhibition of work by Michael Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
Subject Headings: Eastern and Western European Art ; Western Art -- Belgium ; Netherlands -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Painting ; Sculpture --
Artist(s): Borremans, Michael; Manders, Mark