Rising Among Ruins, Dancing Amid Bullets: Maryam Ashrafi
Rising Among Ruins, Dancing Amid Bullets: Maryam Ashrafi
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Rising Among Ruins, Dancing Amid Bullets: Maryam Ashrafi
W032325 | $85.00 / 10% library disc.
Exhibition Catalog
Musee d'art et d'histoire Baron Gerard, Bayeaux, 2021. Published by Editions Hemeria, Paris.
304 pp. 300 ills. (no col.). 26 x 21 cm. In English. Hardcover.
ISBN 9782490952168
Maryam Ashrafi is a social documentary photographer who believes in long term projects, she chooses to stay behind the front lines and observe the daily lives of combatants, which includes a lot of waiting around. She is above all involved in documenting the everyday life on the Kurdish front. Her work puts a face on a widely commented war which remains, from afar, perceived mainly by the West in terms of the number of refugees. Maryam documents the war in her own way, stressing its complexities and the actual building of a new social model based on equality where women occupy the same roles as men, which is remarkable in this area of the world. This is why, over the years, she has returned to the same places, from Kobane to Tabqa, to show the unique power of the resilience of the population and the will to live and change.
Subject Headings: Near and Middle East (Western Style) ; Non-Western in a Western Style ; Western Art -- Iran (Persia) -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography -- Women Artists --
Artist(s): Ashrafi, Maryam
W032325 | $85.00 / 10% library disc.
Exhibition Catalog
Musee d'art et d'histoire Baron Gerard, Bayeaux, 2021. Published by Editions Hemeria, Paris.
304 pp. 300 ills. (no col.). 26 x 21 cm. In English. Hardcover.
ISBN 9782490952168
Maryam Ashrafi is a social documentary photographer who believes in long term projects, she chooses to stay behind the front lines and observe the daily lives of combatants, which includes a lot of waiting around. She is above all involved in documenting the everyday life on the Kurdish front. Her work puts a face on a widely commented war which remains, from afar, perceived mainly by the West in terms of the number of refugees. Maryam documents the war in her own way, stressing its complexities and the actual building of a new social model based on equality where women occupy the same roles as men, which is remarkable in this area of the world. This is why, over the years, she has returned to the same places, from Kobane to Tabqa, to show the unique power of the resilience of the population and the will to live and change.
Subject Headings: Near and Middle East (Western Style) ; Non-Western in a Western Style ; Western Art -- Iran (Persia) -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography -- Women Artists --
Artist(s): Ashrafi, Maryam
