Full House: One Space, Two Shows, 307 Artists and 400 Pieces from the Frederic de Goldschmidt's Collection
Full House: One Space, Two Shows, 307 Artists and 400 Pieces from the Frederic de Goldschmidt's Collection
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Full House: One Space, Two Shows, 307 Artists and 400 Pieces from the Frederic de Goldschmidt's Collection
W032841 | $65.00
Exhibition Catalog
Cloud Seven, Brussels, 2016 and, 2021. Published by Mercatorfonds, Brussels.
304 pp. 252 ills. (chiefly col.). 30 x 21 cm. In English. Hardcover.
ISBN 9780300260625
Full House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist’s process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) --
W032841 | $65.00
Exhibition Catalog
Cloud Seven, Brussels, 2016 and, 2021. Published by Mercatorfonds, Brussels.
304 pp. 252 ills. (chiefly col.). 30 x 21 cm. In English. Hardcover.
ISBN 9780300260625
Full House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist’s process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) --
