Alia Ali: Project Series 53--Book I: Mahjar, Book II: Conflict is More Profitable Than Peace
Alia Ali: Project Series 53--Book I: Mahjar, Book II: Conflict is More Profitable Than Peace
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Alia Ali: Project Series 53--Book I: Mahjar, Book II: Conflict is More Profitable Than Peace
W033036 | $50.00
Exhibition Catalog
Benton Museum of Art at Pomona College, Claremont, 2020.
118 pp. Well illustrated (chiefly col.). 21 x 17 cm. In English. Paperbound.
ISBN 9780997930641
Special limited edition artist book. Publisher's description: Alia Ali is a Yemeni-Bosnian-US multi-media artist, and the exhibition is a dazzling multimedia exhibition in multiple parts, all of them revolving around Ali’s central concerns of language, identity, colonization, and the limits of dualities. An artist who has traveled to sixty-seven countries, lived in and between seven countries, and grown up among five languages, Ali is uniquely positioned to interrogate the concepts of borders, globalism, and reclamation. Her clear-eyed approach to these conflicts is not without hope, though, and is rooted in awareness, acknowledgment, and activism.
Subject Headings: Near and Middle East (Western Style) ; Non-Western in a Western Style ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 ; Post-2020 -- Installation Art ; Video/Film -- Women Artists --
Artist(s): Ali, Alia
W033036 | $50.00
Exhibition Catalog
Benton Museum of Art at Pomona College, Claremont, 2020.
118 pp. Well illustrated (chiefly col.). 21 x 17 cm. In English. Paperbound.
ISBN 9780997930641
Special limited edition artist book. Publisher's description: Alia Ali is a Yemeni-Bosnian-US multi-media artist, and the exhibition is a dazzling multimedia exhibition in multiple parts, all of them revolving around Ali’s central concerns of language, identity, colonization, and the limits of dualities. An artist who has traveled to sixty-seven countries, lived in and between seven countries, and grown up among five languages, Ali is uniquely positioned to interrogate the concepts of borders, globalism, and reclamation. Her clear-eyed approach to these conflicts is not without hope, though, and is rooted in awareness, acknowledgment, and activism.
Subject Headings: Near and Middle East (Western Style) ; Non-Western in a Western Style ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 ; Post-2020 -- Installation Art ; Video/Film -- Women Artists --
Artist(s): Ali, Alia