Der Schmerz des Vaters? Die Trinitarische Pieta zwischen Gotik und Barock--zu einer Skulptur aus der Sammlung Peter und Irene Ludwig
Der Schmerz des Vaters? Die Trinitarische Pieta zwischen Gotik und Barock--zu einer Skulptur aus der Sammlung Peter und Irene Ludwig
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Der Schmerz des Vaters? Die Trinitarische Pieta zwischen Gotik und Barock--zu einer Skulptur aus der Sammlung Peter und Irene Ludwig
(The Pain of the Father?: The Triniatarian Pieta between Gothic and Baroque--To a Sculpture from the Peter and Irene Ludwig Collection)
W033363 | $40.99 / 10% library disc.
Exhibition Catalog
Ed. by Dagmar Preising et al. Ludwiggalerie Schloss Oberhausen, 2021. Published in association with Deutscher Kunstverlag, Walter de Gruyter Gmbh, Berlin.
224 pp. Well illustrated (chiefly col.). 29 x 23 cm. In German. Paperbound.
ISBN 9783422987128
For the first time the catalog accompanying the eponymous exhibition dedicates the trinity image with the Man of Sorrows that was widely known in the late Middle Ages and early modern period the trinitarian Pietà. It shows God the Father, who presents his sacrificed son; the iconography also includes the dove of the holy ghost. In this image created around 1400 the abstract dogma of the trinity is emotionalized and transformed into a vibrant devotional picture. It can be found in all media – painting, sculpture, graphic art, applied art – and is not only encountered in churches but also in the realm of private worship. What becomes apparent is that the manner in which the trinity is depicted remains the same in the age of reformation and this demonstrates the relevance of the topic from the Gothic to the baroque.
Subject Headings: Eastern and Western European Art ; Western Art -- 1400-1600 -- Sculpture ; Several Fine Arts Media (Western) --
(The Pain of the Father?: The Triniatarian Pieta between Gothic and Baroque--To a Sculpture from the Peter and Irene Ludwig Collection)
W033363 | $40.99 / 10% library disc.
Exhibition Catalog
Ed. by Dagmar Preising et al. Ludwiggalerie Schloss Oberhausen, 2021. Published in association with Deutscher Kunstverlag, Walter de Gruyter Gmbh, Berlin.
224 pp. Well illustrated (chiefly col.). 29 x 23 cm. In German. Paperbound.
ISBN 9783422987128
For the first time the catalog accompanying the eponymous exhibition dedicates the trinity image with the Man of Sorrows that was widely known in the late Middle Ages and early modern period the trinitarian Pietà. It shows God the Father, who presents his sacrificed son; the iconography also includes the dove of the holy ghost. In this image created around 1400 the abstract dogma of the trinity is emotionalized and transformed into a vibrant devotional picture. It can be found in all media – painting, sculpture, graphic art, applied art – and is not only encountered in churches but also in the realm of private worship. What becomes apparent is that the manner in which the trinity is depicted remains the same in the age of reformation and this demonstrates the relevance of the topic from the Gothic to the baroque.
Subject Headings: Eastern and Western European Art ; Western Art -- 1400-1600 -- Sculpture ; Several Fine Arts Media (Western) --
