Duane Slick: The Coyote Makes the Sunset Better
Duane Slick: The Coyote Makes the Sunset Better
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Duane Slick: The Coyote Makes the Sunset Better
W033605 | $52.50
Exhibition Catalog
Aldrich Contemporary Art Museum, Ridgefield, 2022.
88 pp. Well illustrated (all col.). 28 x 22 cm. In English. Paperbound.
ISBN 9781951416041
Over a career spanning thirty years, painter Duane Slick has consistently pursued a vision to integrate secular Modernist abstraction with the beliefs and traditions of his Native American heritage. Duane Slick: The Coyote Makes the Sunset Better will be the artist’s first solo museum exhibition, bringing together over 90 paintings, prints, photographs, and video, all made within the last five years. The selected works include the artist’s ongoing series that reference the coyote as a seminal figure in indigenous culture, as well as paintings that reflect both the landscape of Slick’s upbringing in Iowa and the symbology and beliefs of his heritage as a citizen of both the Meskwaki (Fox of Iowa) and Ho-Chunk (Nebraska) Nations. Essay by Richard Klein
Subject Headings: Native North American and Inuit Art ; Non-Western in a Western Style ; Western Art -- United States -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 ; Post-2020 -- Painting ; Several Fine Arts Media (Western) -- Other American Minority --
Artist(s): Slick, Duane
W033605 | $52.50
Exhibition Catalog
Aldrich Contemporary Art Museum, Ridgefield, 2022.
88 pp. Well illustrated (all col.). 28 x 22 cm. In English. Paperbound.
ISBN 9781951416041
Over a career spanning thirty years, painter Duane Slick has consistently pursued a vision to integrate secular Modernist abstraction with the beliefs and traditions of his Native American heritage. Duane Slick: The Coyote Makes the Sunset Better will be the artist’s first solo museum exhibition, bringing together over 90 paintings, prints, photographs, and video, all made within the last five years. The selected works include the artist’s ongoing series that reference the coyote as a seminal figure in indigenous culture, as well as paintings that reflect both the landscape of Slick’s upbringing in Iowa and the symbology and beliefs of his heritage as a citizen of both the Meskwaki (Fox of Iowa) and Ho-Chunk (Nebraska) Nations. Essay by Richard Klein
Subject Headings: Native North American and Inuit Art ; Non-Western in a Western Style ; Western Art -- United States -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 ; Post-2020 -- Painting ; Several Fine Arts Media (Western) -- Other American Minority --
Artist(s): Slick, Duane