Roger Deakins
Roger Deakins
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Roger Deakins
W033798 | $55.00 / 10% library disc.
Damiani Editore, Bologna, 2021.
160 pp. Well Illustrated (all B&W). 31 x 25 cm. In English. Hardcover.
ISBN 9788862087513
This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins (born 1949), best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present.After graduating from college Deakins spent a year photographing life in rural North Devon, in Southwest England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, while also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography --
Artist(s): Deakins, Roger
W033798 | $55.00 / 10% library disc.
Damiani Editore, Bologna, 2021.
160 pp. Well Illustrated (all B&W). 31 x 25 cm. In English. Hardcover.
ISBN 9788862087513
This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins (born 1949), best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present.After graduating from college Deakins spent a year photographing life in rural North Devon, in Southwest England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, while also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography --
Artist(s): Deakins, Roger
