Dark Mirrors
Dark Mirrors
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Dark Mirrors
W034126 | $35.00
Stanley Wolukau-Wanambwa. MACK, London, 2021.
288 pp. Moderately illustrated (chiefly color). 23 x 14 cm. In English. Paperbound.
ISBN 9781913620394
Dark Mirrors assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the visual in social life. The book sets out an argument that one of the most dynamic sites of artistic invention in photographic practice over the past decade has been the photographic book, and thus many of essays in the volume assess artistic works as they are bodied forth in that form. Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Criticism/Theory ; Photography --
W034126 | $35.00
Stanley Wolukau-Wanambwa. MACK, London, 2021.
288 pp. Moderately illustrated (chiefly color). 23 x 14 cm. In English. Paperbound.
ISBN 9781913620394
Dark Mirrors assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the visual in social life. The book sets out an argument that one of the most dynamic sites of artistic invention in photographic practice over the past decade has been the photographic book, and thus many of essays in the volume assess artistic works as they are bodied forth in that form. Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention.
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Criticism/Theory ; Photography --