Cybernetics of the Poor
Cybernetics of the Poor
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Cybernetics of the Poor
W034301 | $24.95 / 20% library disc.
Exhibition Catalog
Ed. by Diedrich Diederichsen and Oier Etxeberria. Kunsthalle Wien, Vienna, 2020. Organized in association with Tabakelera-International Centre for Contemporary Culture, Donostia/San Sebastian. Published in association with Sternberg Press, Berlin.
332 pp. 86 col., 29 b/w ills. 20 x 13 cm. Bilingual in English and German. Paperbound.
ISBN 9783956795930
Cybernetics of the Poor examines the relationship between art and cybernetics and their intersections in the past and present. Since the late 1940s, the term cybernetics has been used to describe self-regulating systems that measure, anticipate, and react in response to changing conditions. Initially relevant mostly in the fields of administration, planning, criminology, and early ecology, under digital capitalism cybernetics has become an economic factor (see: big data). In such a cybernetic totality, art must respond to the new situation: as a cybernetics of the poor. This publication, like the exhibition it accompanies, presents works that use the powerlessness of art—its poverty vis-a-vis the cybernetic machine to propose countermodels. In addition, it gathers recent and historical works by artists who believed in cybernetics as a participatory, playful practice or who were pioneers in delineating a counter-cybernetics. How much of the “counterforce (Thomas Pynchon) exists within art when it is conceived as a cybernetics of the poor?"
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) --
W034301 | $24.95 / 20% library disc.
Exhibition Catalog
Ed. by Diedrich Diederichsen and Oier Etxeberria. Kunsthalle Wien, Vienna, 2020. Organized in association with Tabakelera-International Centre for Contemporary Culture, Donostia/San Sebastian. Published in association with Sternberg Press, Berlin.
332 pp. 86 col., 29 b/w ills. 20 x 13 cm. Bilingual in English and German. Paperbound.
ISBN 9783956795930
Cybernetics of the Poor examines the relationship between art and cybernetics and their intersections in the past and present. Since the late 1940s, the term cybernetics has been used to describe self-regulating systems that measure, anticipate, and react in response to changing conditions. Initially relevant mostly in the fields of administration, planning, criminology, and early ecology, under digital capitalism cybernetics has become an economic factor (see: big data). In such a cybernetic totality, art must respond to the new situation: as a cybernetics of the poor. This publication, like the exhibition it accompanies, presents works that use the powerlessness of art—its poverty vis-a-vis the cybernetic machine to propose countermodels. In addition, it gathers recent and historical works by artists who believed in cybernetics as a participatory, playful practice or who were pioneers in delineating a counter-cybernetics. How much of the “counterforce (Thomas Pynchon) exists within art when it is conceived as a cybernetics of the poor?"
Subject Headings: International ; Western Art -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) --
