Jacques Zwobada: Resonances
Jacques Zwobada: Resonances
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Jacques Zwobada: Resonances
W035242 | $70.00
Exhibition Catalog
Musee du Domaine Departemental de Chateau de Sceaux, 2021. Published by Snoeck Publishers, Ghent.
160 pp. Well illustrated (chiefly col.). 30 x 24 cm. In French. Hardcover.
ISBN 9789461616784
Shapes and colors are only elements of expression, just like the range of 7 notes. The whole discussion is therefore reduced to whether art must express and create in the viewer or listen, not similarities with realities, but a state of pleasure and escape to find his own dream and this Self, deep and lonely, often buried in the worries of the daily life. (Jacques Zwobada, Carnets, 28 October 1962). Jacques Zwobada (1900-1967) developed through drawing and sculpture a singular form of expression that flourished in the interwar period, before abstracting himself from the representation of reality at the turn of the 1950s to lead to monumental compositions, such as Verticals or very large charcoals. This book accompanies the exhibition "Jacques Zwobada. Resonances". It seeks to present the entire career of the artist and to offer a new reflection on aspects hitherto little highlighted of his work.
Subject Headings: Eastern and Western European Art ; Western Art -- France -- Post-1945 -- Sculpture --
W035242 | $70.00
Exhibition Catalog
Musee du Domaine Departemental de Chateau de Sceaux, 2021. Published by Snoeck Publishers, Ghent.
160 pp. Well illustrated (chiefly col.). 30 x 24 cm. In French. Hardcover.
ISBN 9789461616784
Shapes and colors are only elements of expression, just like the range of 7 notes. The whole discussion is therefore reduced to whether art must express and create in the viewer or listen, not similarities with realities, but a state of pleasure and escape to find his own dream and this Self, deep and lonely, often buried in the worries of the daily life. (Jacques Zwobada, Carnets, 28 October 1962). Jacques Zwobada (1900-1967) developed through drawing and sculpture a singular form of expression that flourished in the interwar period, before abstracting himself from the representation of reality at the turn of the 1950s to lead to monumental compositions, such as Verticals or very large charcoals. This book accompanies the exhibition "Jacques Zwobada. Resonances". It seeks to present the entire career of the artist and to offer a new reflection on aspects hitherto little highlighted of his work.
Subject Headings: Eastern and Western European Art ; Western Art -- France -- Post-1945 -- Sculpture --