Pierre Bonnard Beyond Vision
Pierre Bonnard Beyond Vision
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Pierre Bonnard Beyond Vision
W036403 | $60.00 / 10% library disc.
Lucy Whelan. Yale University Press, New Haven, 2022.
232 pp. well illustrated (all col.). 26 x 21 cm. LC 2021-948945 In English. Hardcover.
ISBN 9780300258868
As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867–1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist’s central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself. Exploring how Bonnard’s dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard’s paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist’s diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.
Subject Headings: Eastern and Western European Art ; Western Art -- France -- 1900-1945 -- Painting --
Artist(s): Bonnard, Pierre
W036403 | $60.00 / 10% library disc.
Lucy Whelan. Yale University Press, New Haven, 2022.
232 pp. well illustrated (all col.). 26 x 21 cm. LC 2021-948945 In English. Hardcover.
ISBN 9780300258868
As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867–1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist’s central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself. Exploring how Bonnard’s dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard’s paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist’s diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.
Subject Headings: Eastern and Western European Art ; Western Art -- France -- 1900-1945 -- Painting --
Artist(s): Bonnard, Pierre
