Roger Fenton et la guerre de Crimee (1855): Aux origines du reportage de guerre
Roger Fenton et la guerre de Crimee (1855): Aux origines du reportage de guerre
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Roger Fenton et la guerre de Crimee (1855): Aux origines du reportage de guerre
W036668 | $46.00
Exhibition Catalog
Musee Conde, Domaine de Chantilly, 2021. Published by Editions Faton, Dijon.
96 pp. 22 x 22 cm. In French. Hardcover.
ISBN 9782878442854
Roger Fenton (1819-1869), a painter who trained in Paris in Delaroche’s studio alongside future photographers such as Gustave Le Gray, Henri Le Secq and Charles Negre, turned to photography around 1850. He was close to Queen Victoria and in 1855 received an order to travel to Crimea to photograph the siege of Sebastopol, where England, France and Piedmont were supporting the Ottoman Empire against Russia. From March to June 1855, Fenton provided aseptic images of a bloody conflict, which was very unpopular in Europe. His “photography truck” was a target for Russian fire. The strong summer light and heat made his working conditions difficult and so he quickly decided that his wet collodion process photography could only take place at dawn. He photographed soldiers, officers, war correspondents (including the Times correspondent), participated in the daily life of the military staff and, on 8 June 1855, attended the council of war that decided to attack the Malakoff redoubt. After three months of stressful reporting, feverish and depressed (he had seen friends die and his brother-in-law wounded), Fenton returned to England with 360 photographs taken using the glass print technique, which were printed on salted paper and published in installments by the publisher Thomas Agnew in London. These prints, acquired in October-November 1855 by the Duke of Aumale, who was in exile in London at that time, are among the first photographs in his collection and one of the first-ever war reports that marked the beginnings of photography.
Subject Headings: Eastern and Western European Art ; Western Art -- 1800-1900 -- Photography --
Artist(s): Fenton, Roger
W036668 | $46.00
Exhibition Catalog
Musee Conde, Domaine de Chantilly, 2021. Published by Editions Faton, Dijon.
96 pp. 22 x 22 cm. In French. Hardcover.
ISBN 9782878442854
Roger Fenton (1819-1869), a painter who trained in Paris in Delaroche’s studio alongside future photographers such as Gustave Le Gray, Henri Le Secq and Charles Negre, turned to photography around 1850. He was close to Queen Victoria and in 1855 received an order to travel to Crimea to photograph the siege of Sebastopol, where England, France and Piedmont were supporting the Ottoman Empire against Russia. From March to June 1855, Fenton provided aseptic images of a bloody conflict, which was very unpopular in Europe. His “photography truck” was a target for Russian fire. The strong summer light and heat made his working conditions difficult and so he quickly decided that his wet collodion process photography could only take place at dawn. He photographed soldiers, officers, war correspondents (including the Times correspondent), participated in the daily life of the military staff and, on 8 June 1855, attended the council of war that decided to attack the Malakoff redoubt. After three months of stressful reporting, feverish and depressed (he had seen friends die and his brother-in-law wounded), Fenton returned to England with 360 photographs taken using the glass print technique, which were printed on salted paper and published in installments by the publisher Thomas Agnew in London. These prints, acquired in October-November 1855 by the Duke of Aumale, who was in exile in London at that time, are among the first photographs in his collection and one of the first-ever war reports that marked the beginnings of photography.
Subject Headings: Eastern and Western European Art ; Western Art -- 1800-1900 -- Photography --
Artist(s): Fenton, Roger
