Jasmina Cibic: Most Favoured Nation
Jasmina Cibic: Most Favoured Nation
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Jasmina Cibic: Most Favoured Nation
W036975 | $49.95 / 10% library disc.
Exhibition Catalog
Museum der Moderne Salzburg, 2022. Published in association with Hatje Cantz Verlag, Berlin.
168 pp. Well Illustrated (chiefly col.). 25 x 17 cm. Bilingual in English and German. Hardcover.
ISBN 9783775752381
Slovenian artist Jasmina Cibic belongs to a young generation of artists who are engaging critically with the legacy of the former Yugoslavia. Set against this background, her exhibition Most Favored Nation questions the validity of the concept of international relationships that extends the same privileges of bilateral treaties to multilateral relationships. Cibic critically examines the mechanisms of nation-building and soft power as an indirect form of exercising power through cultural dominance. Decoding the complex entanglement of political concerns and cultural production, the London-based artist translates the political mechanisms influencing artists into room-filling installations, performances and intricate films. The catalog traces the immersive spatial architecture in the tradition of the debating salon.
Subject Headings: Eastern and Western European Art ; Western Art -- Slovakia -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) ; Video/Film -- Women Artists --
W036975 | $49.95 / 10% library disc.
Exhibition Catalog
Museum der Moderne Salzburg, 2022. Published in association with Hatje Cantz Verlag, Berlin.
168 pp. Well Illustrated (chiefly col.). 25 x 17 cm. Bilingual in English and German. Hardcover.
ISBN 9783775752381
Slovenian artist Jasmina Cibic belongs to a young generation of artists who are engaging critically with the legacy of the former Yugoslavia. Set against this background, her exhibition Most Favored Nation questions the validity of the concept of international relationships that extends the same privileges of bilateral treaties to multilateral relationships. Cibic critically examines the mechanisms of nation-building and soft power as an indirect form of exercising power through cultural dominance. Decoding the complex entanglement of political concerns and cultural production, the London-based artist translates the political mechanisms influencing artists into room-filling installations, performances and intricate films. The catalog traces the immersive spatial architecture in the tradition of the debating salon.
Subject Headings: Eastern and Western European Art ; Western Art -- Slovakia -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Several Fine Arts Media (Western) ; Video/Film -- Women Artists --
