Stefano Graziani: Documents on Raphael
Stefano Graziani: Documents on Raphael
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Stefano Graziani: Documents on Raphael
W037309 | $30.00 / 10% library disc.
Exhibition Catalog
Palladio Museum, Vicenza, 2022. Published by Mousse Publishing, Milan.
80 pp. and 12 pp. loose booklet with Italian texts in back. 71 col. ills. 31 x 25 cm. Bilingual in English and Italian. Paperback.
ISBN 9788867494606
Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael’s death, but above all an operation of re-visioning. Stefano Graziani’s photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani’s images, combined with reliable evidence regarding Raphael’s production, refer back to the most iconic classical genres of representation: landscape and still life.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography --
W037309 | $30.00 / 10% library disc.
Exhibition Catalog
Palladio Museum, Vicenza, 2022. Published by Mousse Publishing, Milan.
80 pp. and 12 pp. loose booklet with Italian texts in back. 71 col. ills. 31 x 25 cm. Bilingual in English and Italian. Paperback.
ISBN 9788867494606
Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael’s death, but above all an operation of re-visioning. Stefano Graziani’s photographs explore the works of the artist from Urbino—with particular reference to his output as an architect—their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani’s images, combined with reliable evidence regarding Raphael’s production, refer back to the most iconic classical genres of representation: landscape and still life.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- Post-1945 ; Post-1970 ; Post-1990 ; Post-2000 -- Photography --
