Van Gogh TV's »Piazza Virtuale«: The Invention of Social Media at documenta IX in 1992
Van Gogh TV's »Piazza Virtuale«: The Invention of Social Media at documenta IX in 1992
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Van Gogh TV's »Piazza Virtuale«: The Invention of Social Media at documenta IX in 1992
W037757 | $35.00
Tilman Baumgärtel. transcript Verlag, Bielefeld, 2021. Dstributed by Columbia University Press. Transcript Media Studies, 96.
234 pp. Moderately Illustrated (some col.). 23 x 15 cm. In English. Hardcover.
ISBN 9783837660661
Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today's social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content. This is the first book-length study of this largely forgotten experiment: It documents the radicality of Piazza virtuale's approach, the novel programme ideas and the technical innovations. It also allows, via QR codes, direct access to videos from the show, which until now have been inaccessible.
Subject Headings: Eastern and Western European Art ; Western Art -- Germany -- Post-1945 ; Post-1970 ; Post-1990 -- Several Fine Arts Media (Western) --
Artist(s): Van Gogh TV (group)
W037757 | $35.00
Tilman Baumgärtel. transcript Verlag, Bielefeld, 2021. Dstributed by Columbia University Press. Transcript Media Studies, 96.
234 pp. Moderately Illustrated (some col.). 23 x 15 cm. In English. Hardcover.
ISBN 9783837660661
Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today's social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content. This is the first book-length study of this largely forgotten experiment: It documents the radicality of Piazza virtuale's approach, the novel programme ideas and the technical innovations. It also allows, via QR codes, direct access to videos from the show, which until now have been inaccessible.
Subject Headings: Eastern and Western European Art ; Western Art -- Germany -- Post-1945 ; Post-1970 ; Post-1990 -- Several Fine Arts Media (Western) --
Artist(s): Van Gogh TV (group)
