Victims of Fashion
Victims of Fashion
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Victims of Fashion
W037962 | $39.99
Helen Louise Cowie. Cambridge University Press, 2022. Science in History.
300 pp. Minimal Illustrations (all b&w). 24 x 16 cm. LC 2021-31766 In English. Hardcover.
ISBN 9781108495172
Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In this innovative study, Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. She also assesses the ecological impact of nineteenth-century fashion.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- 1800-1900 -- Costume/Fashion -- Decorative Arts and Design --
W037962 | $39.99
Helen Louise Cowie. Cambridge University Press, 2022. Science in History.
300 pp. Minimal Illustrations (all b&w). 24 x 16 cm. LC 2021-31766 In English. Hardcover.
ISBN 9781108495172
Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In this innovative study, Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. She also assesses the ecological impact of nineteenth-century fashion.
Subject Headings: Eastern and Western European Art ; Western Art -- Great Britain -- 1800-1900 -- Costume/Fashion -- Decorative Arts and Design --
