Masaccio e i maestri del Rinascimento a confronto per celebrare 600 anni del Trittico di San Giovenale
Masaccio e i maestri del Rinascimento a confronto per celebrare 600 anni del Trittico di San Giovenale
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Masaccio e i maestri del Rinascimento a confronto per celebrare 600 anni del Trittico di San Giovenale
(Masaccio and the Masters of the Renaissance, in Dialogue to Celebrate the San Giovenale Triptych’s 6th Centenary)
W039312 | $65.00
Exhibition Catalog
Ed. by Angelo Tartuferi et al. Museo Masaccio d’Arte Sacra, Reggello, 2021. Published by Polistampa, Florence.
176 pp. Well illustrated (chiefly col.). 24 x 22 cm. In Italian. Paperbound.
ISBN 9788859622604
Expected Date: 11-01-2022
The catalog of the exhibition set up in the Masaccio Museum of Sacred Art in Cascia (Reggello, Florence) compares the Triptych of San Giovenale, considered the first known work executed by Masaccio, with the famous Triptych of San Pietro Martire by Beato Angelico, an artist who was among the first and most gifted connoisseurs of Masaccesque novelties. At the same time, an insight into the artistic production gravitating around Masaccio's beginnings is offered, presenting works by painters also working in the Valdarno area and still linked to the late Gothic figurative tradition.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- 1400-1600 -- Painting --
(Masaccio and the Masters of the Renaissance, in Dialogue to Celebrate the San Giovenale Triptych’s 6th Centenary)
W039312 | $65.00
Exhibition Catalog
Ed. by Angelo Tartuferi et al. Museo Masaccio d’Arte Sacra, Reggello, 2021. Published by Polistampa, Florence.
176 pp. Well illustrated (chiefly col.). 24 x 22 cm. In Italian. Paperbound.
ISBN 9788859622604
Expected Date: 11-01-2022
The catalog of the exhibition set up in the Masaccio Museum of Sacred Art in Cascia (Reggello, Florence) compares the Triptych of San Giovenale, considered the first known work executed by Masaccio, with the famous Triptych of San Pietro Martire by Beato Angelico, an artist who was among the first and most gifted connoisseurs of Masaccesque novelties. At the same time, an insight into the artistic production gravitating around Masaccio's beginnings is offered, presenting works by painters also working in the Valdarno area and still linked to the late Gothic figurative tradition.
Subject Headings: Eastern and Western European Art ; Western Art -- Italy -- 1400-1600 -- Painting --
